When I started this journey, I had no idea it would be so hard to write a book. I thought I’d sit down and the novel would just flow from my fingertips onto the page in perfect order and sequence. Actually, writing a first draft is much easier for me than editing, outlining, doing character charts, re-writing and all the other more disciplined aspects of the craft.
I love attending writers conferences, attending and/or listening to tapes of seminars, reading writing books, and learning how to create suspense, write better dialogue, a page turner or a better plot. I don’t mind and even enjoy whipping out a first draft as fast as I can so that my inner editor doesn’t have a chance to kick in and give me writers block. I can find the discipline for that – especially during events like National November Writing Month when I can share the experience and commiserate with fellow writers in cafes and online.
What I can’t stand is even the very thought of taking what I wrote, breaking it down and revising it. In other words – editing. Even though, logically, I know the editing process is when the book really begins to take shape, I get completely overwhelmed by the process. You can have a four hundred page manuscript and discover during the editing process that you need to rewrite and/or rework all of it. The very thought of that makes me want to run from the room screaming which is probably why it takes me so long to do it. I can write the first draft of a book in a month and then take years to revise it. In short, I have a hard time getting and keeping my considerable behind in front of my keyboard long enough to do the work of editing.
The worst part is that, even when you think you’re done editing the book, someone with fresh eyes can read it and say that your characters need more depth, the novel is too plot-driven, or you need to pick up the pace. None of these defects are quick fixes. They take substantial work to fix – sometimes even a complete re-write.
Although many writers hate editing, there are some who love it. They like the fact that revision is when you add texture and layers to a scene, spruce up dialogue, cut out excessive backstory and scenes that don’t move the story along, fix plot issues and sequencing errors, and improve pacing, among other things. Even I have to admit that my novels benefit tremendously from editing and that I can see major improvement from one draft to the next.
What I need to remember is that editing is just as much a part of writing a book as whipping out a first draft. One might say that editing is the most quintessential part of the writing process because you never really stop doing it. You edit the draft, most likely revising it three or more times before sending it out to agents (the first time for story, the second time for texture, characterization, pace and flow, the third for prose, grammar, spelling, rhythm, etc.). Once you get an agent, he or she might ask you to revise parts of the book to get it ready for pitching to editors. Once a publisher acquires the book or you hire an editor before self-publishing, the editor might ask you to make some revisions. A copy editor will have some additional corrections.
Since the revision process is a crucial part of writing a novel and is almost never-ending, I need to change my mindset about it. If I don’t, I’ll never find the discipline to do it properly and my books will suffer or, worse yet, not sell. So, I’m going to try to look at editing as an opportunity to turn my novels into bestsellers. Maybe that will help me plant my rear-end in front of my computer and get it done on a more timely basis. Wish me luck.
Peace
What Writers Can Learn From Rejection
I’m baaaack! I took a little hiatus to work on some non-writing goals, but I’m back baby and more fired up than ever.
Okay, so I got kicked out of the Amazon.com Breakthrough Novel Award Contest during the pitch stage and two of the three e-publishers that requested to see excerpts of my legal thriller have rejected it. I could sink into a funk, throw in the towel, and stop writing, or I can pick myself up, dust myself off, and see whether I can learn something from this experience.
As writers, we get a lot of rejection – whether it’s a less than thrilling grade from a professor, a form rejection letter from an agent or editor, or a bad review of a published work. Chances are that if you submit your work to public scrutiny and/or try to get it published, you will withstand a fair amount of rejection along the way. They say that, to survive in this business, we must learn to be thick-skinned, to roll with the punches and to never give up.
In his book “On Writing” Stephen King tells us that we should be ready to paper our walls with rejection letters until we get that one shot. In fact, he literally did that. I don’t know . . . that would take up a lot of wall space and mess with my decor.
The thing is that not all rejections are created equal and the reasons for rejection vary. Your work might be rejected because you didn’t properly research an agent or editor and they might not represent the type of book you wrote. You might get rejected because the type of book you wrote is not hot in the market at this time or the agency or publishing house already represents or has books by competing authors in your genre. You might get rejected because you didn’t do a good job of pitching or describing the story or your target market or because your prose or your storyline or your writing is not up to the standards of a particular agent or editor. You might be a fine writer and/or storyteller but your storyline might not excite or inspire an agent or editor to want to sign you up or publish your work.
The types of rejections you get vary as well. Sometimes you get a form e-mail or letter simply stating that your work is not a good fit for that agency or publishing house, sometimes you get very detailed editorial comments, and sometimes you just get radio silence. I seemed to have progressed from getting form rejections letters to getting very detailed comments on my excerpts from editors and agents alike. That tells me that I’m close to finding the one (agent and/or editor) according to the tales told by successful novelists concerning their breakthroughs.
Sometimes, we can actually learn something from rejection. In my last rejection letter, the editor told me some of the same things I had heard from my beta readers – that my book has too much legalese in it which threw her out of the story and that it started too slowly after the action- packed prologue. So what did I learn from that? I learned that I should listen to my beta readers and edit the beginning of the book to move it along. The legalese and a couple of unnecessary scenes are slowing the book down. Apparently, it takes flight after page 50 where the only legal scenes take place in the courtroom (as opposed to in the law firm) and are more dramatic.
Sometimes, you have to take some of the editorial advice you get with a grain of salt. One editor, in her rejection letter, told me that she didn’t like the fact that my hero was suing for the death of his wife and child and yet was attracted to his very sexy attorney. All of my beta readers (with one notable exception) had no problem with that whatsoever. They felt that almost two years was enough time for him to be ready to move on even though he was in the process of seeking revenge against the company that caused the death of his family. If it was a romantic suspense novel (as opposed to being a legal thriller with strong romantic elements), I might have to rethink that storyline since romance readers might be more sensitive to that issue. But I seem to be making more progress now that I’ve stopped trying to fit a square peg into a round hole. I do not write romance novels. Period.
What did I learn from being kicked out of the Amazon.com Breakthrough Novel Award Contest at the pitch stage? That I probably shouldn’t have put a line as asinine as: “This book is a legal thriller that will keep you on the edge of your seat” in my pitch. Oh well, I’ll do better next year.
In the meantime, I have a legal thriller to edit and send out to more agents and editors, another thriller to rework, and a political suspense novel to edit and get ready to pitch at Thrillerfest next month.
Giving up is not in my DNA. I bet it’s not in yours either.
Peace.
- Life
- Writing
on June 12, 2012 at 8:08 am Comments (1)Tags: "On Writing", agent, Amazon.com Breakthrough Novel Award, e-publishers, editor, editorial comments, legal thriller, pitch, rejection, romance novel, Stephen King